Your brand's little content department.
You don't hire us for a shoot. You hire us for a rhythm. Every month we produce, edit and file a new batch of work — so the story keeps going instead of restarting.
Who it's for
Restaurants, makers, service businesses, local brands and founder-led companies with actual humans on the payroll.
What you own
Everything. Raw and edited, delivered into an organized archive you keep whether we keep working together or not.
What we need
Access and honesty. Let us behind the counter and tell us the parts you think are boring — usually that's the story.
What we don't do
This isn't social media management — it's content creation. We make the work; the posting, scheduling and community management stay on your side.
Shoot
We show up and capture the month. Digital and analog, always both.
Find
We log the footage and look for what's actually interesting — not what we planned.
Edit
Short-form cuts, longer documentary pieces, stills graded to match.
Archive
Everything labeled, dated and organized so you can find it in a year.
Repeat
Next month builds on the last. The body of work compounds.
The Snapshot
A steady monthly heartbeat of content.
$4,000
- —6 edited short-form videos
- —15 edited stills
- —5 social carousels
The Documentary
Story development plus the volume you need to post.
$5,500
- —12 edited short-form videos / reels
- —Live event coverage
- —Story development
- —Founder/employee interviews
- —Analog footage
- —Creative direction
- —Monthly content planning
- —Organized archive
The Archive
A full outsourced content department.
$7,000
- —15–20+ videos
- —Photography
- —Documentary stories
- —Campaign concepts
- —Live event coverage
- —Analog + digital production
- —Creative direction
- —Monthly strategy
- —Content library
- —Priority scheduling
Some things look better a little imperfect.
We're not nostalgic for the sake of it. We use old cameras because of what they do to people.
A camcorder in the room changes the temperature. Nobody performs for a MiniDV tape the way they perform for a cinema rig — they relax, they joke, they forget. The artifacts do something too: grain, bloom and tracking noise read as evidence. Someone was there. It happened.
So every project runs both stacks at once. Clean, modern digital for the frames that need to look expensive, and analog capture for the frames that need to feel true. It's why the work still looks like your brand and not like a filter.
MiniDV
Softness and motion smear that reads as memory instead of marketing. We use it for interviews and hands-at-work footage.
VHS
Reserved for transitions, place-setting and anything we want to feel like it was already there before you arrived.
Digital point-and-shoot
Fast, unflattering, honest. The look people already trust because it's what their own photos look like.
Disposable camera
We leave them with staff for a week. What comes back is footage we'd never get ourselves.
Direct flash
Flattens the room, pulls the subject forward, makes an ordinary Tuesday look like an event.
iPhone
Not a compromise. For some moments it's the only camera that won't change the behavior in the room.
Cinema camera
When a story needs to be beautiful without irony — product, portraiture, the closing shot.